Heya all, was following a Tut that iv followed before too some okay results but feel the starting point of the fibermesh is so wildly different an copying there settings is not really yilding the same results and not learning how to make hair i guess? are there good tuts out there for learning how t
loving all #rigtip conversation around ".offsetParentMatrix" in #maya 2020, here's a video I've recorded 7 years ago (which I think is still relevant) explaining Parent Constraint under the hood and how you create one with matrix nodes. cheers !! https://t.co/dGyE2ZdN4b
In this video I explain the anatomy of parent constraint and how you can create your own custom constraint using Maya utility nodes. I also wrote some python code to add a parent-target manually which resolves an issue with the way Maya adds parent constraint targets targets by default. creatureri
Go here to read this tutorial in Indonesian. Go here to read this tutorial in Russian.
「ヒトの行動に合わせた機械による支援」を目指した基礎実験 東京大学先端科学技術研究センターは8月13日、筋電気刺激を使った実験により機械の適切な支援のタイミングを同定し、ヒトの意図と機械の動作のずれを防ぐ
This latest installment in the popular Sketching from the Imagination series presents a wide array of artwork inspired by the vivid, imaginative worlds of anime, manga, and Japanese popular culture.
Tyler Puryear shows how to bake 3D models using Marmoset Toolbag, as well as how to import custom assets into Mixer.
Hello, Phoenix is my last project I made it as a fanart of a game I’m playing, I wanted to make one of the characters but in a realistic style and that was the challenge.
Soft body dynamics handle a range of effects in 3D, not just cloth. An example of its versatility is this tutorial from Reza Sarkamari who shows how you can use Maya’s nCloth to create a quick disintegration effect.
Amazonプライムでずっと観たかった1965年の「怪談」が見放題になってたから昨日観たけど、感動しすぎて固まる。
I recommend using 5mm high-density EVA foam (low density works too) as well as contact cement to create these pieces. Other materials (like Worbla) work as well of course! All shoulders look different! Print the patterns larger or smaller to fit your size.
This is a tutorial on how I aproach stylized grass in Blender for anime. Source files can be downloaded here: https://gum.co/fonvC I have also released an anime inspired cloud brush pack here: https://gum.co/yFKMw
In this video, David from Lightning Boy Studio will show how to create 3D trees in the style of Ghibli films, all in Blender 2.83 https://twitter.com/LightningBoySt1 https://www.facebook.com/dinomancersproject/ You can watch our toon shader tutorial series here : https://youtu.be/TpWI2rU8iF0 Curi
CG／映像クリエイターのためのスキルアップオンライン講座『CGWORLD +ONE ONLINE』。 ハイクオリティな3DCGアニメーション作品を数多く手がけているマーザ・アニメーションプラネットによる映画『ルパン三世 THE FIRST』を題材に
1 2 scroll より美しく、末長く、伝承していく日本文化。 More beautiful, longer resting, Traditional Japanese culture.
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Mayaでスペーススイッチ(Space Switch)、スペース切り替えの方法を解説します。
While Rigid Body Simulations can be fun, they can also be problematic and hard to control on complex objects. There are some things you can do to make your simulation more predictable while also running smoothly. A new setting in Blender can also help.
In TD chat the other day the topic of deformation layering came up, and I realized I hadn’t formalized anything I’ve worked on in the past year or so. This article will be about better modern practices for deformation layering in Maya 2017+. I’ll be using the wonderful Hippydrome.
What you'll learn: Via lectures and hands-on projects, the course explores principles of 2D and 3D graphics, animation, sound, and collision detection using frameworks like Unity and LÖVE 2D, as well as languages like Lua and C#.
BOOTHにてガレージキットの通販を始めました。 ワンフェスで販売したものと同じものです。 やかん君 2500
tip of the day: you can generate a simple pizza-mask using math and occlude your smoke effects with it, so that the smoke wouldn't penetrate walls #gamedev #techart #vfx #realtimevfx #UE4
grab the project files off my discord server if you want to take a look https://t.co/LTAS3H7cxb the material is a little cursed but quite handy🥦 then, because UE4 render target supports runtime mip you can get a blurred image with low c
In my daily work, I often switch between codebases. Each brings its own ecosystem of tools to create, manage, build and publish source code. One thing to help with the frequent switching is to have a single entry point to work with the source code in every project.
Freelancer ANTHEM (Commission) Zinogre Monster Hunter Miqo’te Starter Set FINAL FANTASY XIV Nergigante Monster Hunter World Aloy Horizon Zero Dawn Summoner FINAL FANTASY XIV Iden Versio STAR WARS Battlefront 2 (Commission) Erazer Girl MEDION GERMANY (Commission) Monk FINAL FANTAS
Webサイトのデザインを作る際には、テキストや画像を適当に塗りつぶした状態で作ります。あまり情報を多くすると余計なところが気になってしまうものです。これは既存のWebサイトを改善する際に、元のスクリーンショッ
Check out a new version of a ZBrush plugin from Florian Jonas.
Arthur Munoz, an experienced 3D Animator at Spiders Games who worked on multiple titles including The Technomancer and Greedfall, shared his workflow and methods for creating fluid animations for games. My name is Arthur Munoz, I am 32 years old and passionate about animation and video games.
モーショングラフィックス特化の2Dアニメーションソフト「Cavalry」のバージョン 1.0 がリリ―スされました。 Cavalry 1.0 is live! Sign up for FREE or upgrade to the PROFESSIONAL plan at the Trailblazers discounted rate of £12/m. Link in bio.
2020年4月にオープンした3D人物モデルの販売サイト「ddd」より、商用利用OKのモデル4体が無料で公開されています。
屋根、地面、壁、木板など、43種類のテクスチャがあり、ファイルフォーマットは .png / .psd の2種類が含まれています。 ※テクスチャは無料でダウンロードできますが、好きな金額を設定することもできます。
Are you looking to up your particle game in Fusion? Two incredibly useful nodes in both Black Magic Design Fusion and Resolve are pCustom and pCustomForce. Unfortunately, there isn’t a lot of information out there about the two. Even the documentation is sparse.
Maya has its annotation tool, which allows you to add text to objects in the scene. While Annotate is useful, there is a more expansive option out there, and it’s free. mnsAnnotate node lets you add heads up display information to your scene, easily. mnsAnnotate is the work of Asaf Ben Zur.
Tool building and automation mean that you’re going to need some scripting. Most DCC’s will have some sort of embedded language, but all (worth anything) will also have Python.
大人が新しい外国語を学ぶのは子どもに比べてはるかにむつかしい。要因のひとつはトーンの聞き分け能力が落ちることにあるが、一部の人は大人になっても高い聞き分け能力を保持しているようだ。
ボクシングといえば、男性向けの激しいスポーツというイメージが先行するが、ダイエットに取り組む女性の間でも近年人気だ。しかし、興味はあるけれど、ど素人でジムは敷居が高い……という人もいるだろう。
スマホのカメラ性能が上がり、また高解像度のビデオや写真が撮れるデジカメが普及しているこの頃では、大容量のデータを扱う機会は増える一方だ。そこであると便利なのがデータを手軽に保存できるSSD。
ヘアサロンチェーンの「Hair＆Make EARTH」（以下、EARTH）を展開する株式会社アースホールディングスは、オリジナルアプリ「AI Stylist」のAndroid版をリリースした。 似合う髪型をアプリが提案してくれる 美容院で髪を切っても
An Ecology of Mind is a film portrait of Gregory Bateson, celebrated anthropologist, philosopher, author, naturalist, systems theorist, and filmmaker, produced and directed by his daughter, Nora Bateson.
This console is an interesting answer to many needs that weren’t possible to fulfil in the handheld ecosystem. There will be some innovation and a few compromises, but this combination may pave the way for new and ingenious content.
Crab is a Modular Rigging tool for Autodesk Maya. It allows a user to construct rigs from components (examples of components might be an arm, spine, leg, singular bone etc). Each component is formed of a contionous skeletal structure (using joints) from which a control rig is built over the top.
Luna
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proc string[] getShapes( string $xform ) { string $shapes[]; $shapes[0] = $xform; if ( "transform" == `nodeType $xform` ) // If given node is not a transform, assume it is a shape // and pass it through { $shapes = `listRelatives -fullPath -shapes $xform`; } return $shapes; } global proc string WC_l
アニメーションで、ガタガタしないメリハリのある動きをつくりたい！
VFX Breakdown! This uses a mix of simple techniques that all combined look really cool. Kinda reminds me of the effects from #VALORANT :) Hope this helps! #gamedev #VFX #CG #madewithunity #indiedev #unity3d #b3d #shadergraph
葉隠透フィギュア完成
NumPyは、Pythonによるデータ分析、機械学習、 科学技術計算において大活躍するパッケージです。NumPyを使うことで、ベクトルや行列の計算がいとも簡単になります。
Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.
mnsAnnotate
This repo contains code for a genetic evolution algorithm implmented in compute shaders in Unity 3D. If you are interested in using the project to generate your own paintings, have a look at the later section of this document or the Quick Start Page.
今年、Unty製プロジェクトのパフォーマンス改善をやる機会があったんですが、世の中のかっこいい事例に出てくるような、ハードウェアやVM/コンパイラの気持ちになったミクロなチューニング、フレームワークの制限を回
Procedural paintings based on genetic algorithm made in Unity 3D using only Compute Shaders. Depending on who you ask, I guess you can also call this AI paintings.
はじめに こんにちは、ゲーム制作に携わっている 2D／3Dキャラクターアーティストの Yulia Sokolova です。このチュートリアルでは、Kati Sarin S 氏 のコンセプトをもとにした リアルタイムのキャラクター「SAMURAI (サムライ)」の
Substance Painter 使用、シニア・テクスチャアーティスト/アセットジェネラリスト Chun Chun Yang氏（Artruism Digital）制作のチュートリアル。
Have a look at Shahriar Shahrabi's experiment with Compute Shaders in Unity.
Raouf Bejaoui and Matthijs Verkuijlen talked about the Climate Aware Material and Temperature Aware Material systems they created for Gears Tactics that allowed the artists to control the level of wetness, water accumulation, burning, and other effects in the game.
Hector Sanz D'Ors and his colleagues from MercurySteam talked about the production of Kuzman Mech, one of the huge bosses in the game Spacelords. Hector Sanz D'Ors: Hi, my name is Hector and I am a 3D Character Artist based in Madrid, Spain.
Leti M. Vila did a breakdown of her project Yasha Nydoorin based on the character from one of Critical Role's D&D sessions. Hi! I’m Leti M.Vila, a 3D character artist based in Barcelona, Spain. I studied Fine Arts, a Master’s Degree in Video Games, and a ZBrush course at FX Animation School.
今やっていること 真面目に相性を考慮した企業推薦アプリやマッチングアプリを作りたい 企業への就職や出会いを求める場など、現在はITが進んでいますが、まだ最適な状態に至っていいないだろうと思われます。そんな
昨今の遊技機向け映像は、液晶画面の表示性能の高まりなどを受け、よりいっそうリッチで高品質な表現が求められてきている。そこで今回は、遊技機映像制作に多くの実績をもつディレクションシーズに3DCGソフトとコン
Creating wear and tear adds some life and realism to 3D work. While some applications such as Substance Painter practically can automate the process, you can still create your own in Cinema 4D.
Working on one of my projects I wanted to add a torn look to the edges of fabric. After some experimenting I finally figured out how to do it in Zbrush, and it looks pretty good.
A new tutorial series from Rohan Dalvi is an introduction to creating simple smoke simulations in Houdini. Smoke comes from the Pyro solver in Houdini, and the tutorial looks into working with the Pyro solver to create smoke.
A reaction-diffusion pattern is one that we see all over the place in nature. It’s also a popular motif in CG recently. While you can create this distinctive pattern pretty easily with a few effects in any app, Substance Designer has a specific node just for this purpose.
In this three-part series, Jamie Dunbar shows how to sculpt the Pokemon Lapras using Blender. The three videos cover modeling, sculpting, UV unwrapping, texturing, modeling a small scene (including how to create hand-modeled waves in Blender), rigging and rendering.
KeenTools 2.1.0 is out and offers a host of better things for both Nuke and Blender. FaceBuilder adds a new auto-setup in Blender, making it much easier and faster to get started.
You will learn to write a toon water shader. You will use data from the depth and normals buffer to generate shoreline foam, and noise and distortion textures to render toon waves. Water can be challenging to render and almost always requires a custom shader to bring to life.
I used a mixture for the foam and caustics! For the ripples I came up with my own solution, but planning on writing a blog on it one day :) @roystanhonks - https://t.co/WoR1SdYQdH @catlikecoding - https://t.co/7IIohJM9NJ @AlanZucconi - https://t.co/OMSI64DCHe
Patreon Gumroad Society6 Instagram Facebook Pixiv Twitter Tumblr Artstation Youtube Hey all. I have a Patreon and if you would like to support you can do at the Patreon link above. There are currently three tiers.
Ryan Mayeda showed how you can boost your workflow with the latest app.
Let's study some level design tips for setting up blockmeshes that will help you lead players and avoid frustration.
Check out a useful free toolkit.
Anastasiya Osichkina did a breakdown of her project Ruins created during CGMA's course Intro to Environment Art in 3ds Max, ZBrush, Substance tools, and UE4. Hi there! My name is Anastasiya Osichkina and I'm from Rostov-on-Don, Russia.
Joey Dhindsa did a breakdown of his stylized 3D scene Stolen Knowledge talking about sculpting and texturing the hero asset, custom SD materials and vertex shader setup in UE4, lighting, and lava, candles, and tornado FX. Hello! My name is Joey Dhindsa, I am a 3D Technical Artist from LA.
Patrick Sutton shared a bunch of personal techniques for creating and presenting 3D weapons and discussed how amateur artists can improve their weapon design skills. My name is Patrick Sutton, and I'm the Lead Vehicle and Weapon Artist at C77 Entertainment in Bellevue, Washington.
Shadow Boxノードを使用すると、サブスタンスデザイナーで用意したノードを組み合わせて3Dメッシュ作成する事が出来ます。x、y、zに形状を入力することです。 これらはその軸に従って押し出され立体モデルを作れて好きな
New tutorial!🚀 Automatic Sudoku solver with #OpenCV, #Python, and #DeepLearning - Train digit recognizer with #Keras and #TensorFlow - Solve puzzle automatically - Includes full tutorial https://t.co/98Ye5vviFI 👍 #MachineLearning #ArtificialIntelligence #AI #DataS
A character artist Shin JeongHo has shared a set of tips and tricks on working with real-time hair in 3ds Max and ZBrush. This is not a step-by-step guide, but it’s still a nice starting point that will give some basic ideas.
First clone this code. Copyright (c) 2017-2019 Kasugaccho. Copyright (c) 2018-2019 As Project.
私が脳科学・神経科学に興味を持ったのは約10年前（大学1,2年生）、真剣に研究を志したのは4年前（初期研修医2年目）のことでした。
Naughty Dog（ノーティードッグ）のリード・テクニカルディレクター Wasim Khan氏 制作、ゲーム『The Last of Us Part ll』の主人公、エリーのフェイスリグのデモ映像。
My name is Firas Hosn, I'm an AI Game Developer currently working at Build A Rocket Boy. I've been playing games most of my life, well over a quarter of a century now. As a kid, I always wanted to get involved in whatever was presented to me.
Substance Source team and Ronan Mahon shared an incredibly beautiful showreel of procedural worlds in video games. The video showcases three types of worlds: Fantasy, Cyberpunk, Post-apocalyptic.
Yuichiro Fujita talked about self-studying, stylized art, the difference between female and male silhouettes, and the use of contrasts for establishing focal points. My name is Yuichiro Fujita and I'm a 3D character artist working at a game company.
不確実性を考慮した予測が可能と噂の NGBoost の論文を読んでみたので、全体のながれをまとめて見ました。加えて自分でも NGBoost を実装して、その結果を載せています。
StyleFlow: Attribute-conditioned Exploration of StyleGAN-Generated Images using Conditional Continuous Normalizing Flows pdf: https://t.co/BmLfGYYMTM abs: https://t.co/vpLT5d7J0r project page: https://t.co/K5y2Bra24I
人を対象とした実験において、反応時間を計測することの意義とは何か。理論的な背景や基礎的事項から、実用的な方法論や応用例まで。
Shawn Spetch released a useful new pack for ZBrush users.
Shaafi Ahmad did a breakdown of his latest project Contemporary: cloth simulation in MD, zippers, retopology, texturing, and presentation. Hello! My name is Shaafi, I’m based in Lahore, Pakistan, and I’m currently doing my undergrad in communication design.
スリム
インディーゲーム開発者がインディーパブリッシャーと契約する時、どんな契約が一般的で望ましいのだろうか？ オンライン開催されたゲーム開発者向けのカンファレンス“GDC Summer”で、インディースタジオ向けの契
Maya’s Bifrost MPM solver, made famous as the snow solver in Disney’s Frozen, also has several other uses. The Material Point Method (MPM) can simulate a wide range from sand and snow, to cloth and fibers. It is the cloth simulation that is the focus of Reza Sarkamari‘s latest tutorial.